toward vertical;
Littered with many references to cloth making, the Bible contains both anecdotal and metaphoric references to the creation of textiles. Cloth making, particularly weaving, is commonly used metaphorically in not only religious and spiritual texts, but in secular academic writing, particularly in the emergent field of textile thinking. In my research I have found that the warp (vertical) thread is often associated with the spiritual and essential aspect (see Rene Guenon; symbolism of the cross) while the weft threads (horizontal) represent the physical world.
In this exhibition, biblical stories that reference weaving are given form through the woven structure itself. This is both an investigation of the spiritual potential of the action of weaving and an enquiry (& critique) into the function of and perhaps obsession with the use of the weaving metaphor. This includes the historic role of textile making within religious practice, for example, Goliath making his weapon from the beam of the weaving loom.
Through their creation, the works seek to simultaneously understand the literal aspect of the woven craft in balance with its role as a spiritual practice. Research suggests the sacred aspect of the woven form emerges from an observance of breath and repetition; the action of weaving, in essence, meditation.
As the threads are interlaced the spiritual & physical integrate to create a balanced cloth. If the weaving of a warp truly has the potential to be an act of spiritual understanding, this exhibition presents my navigation toward vertical.
Exhibited at Gallery76 Queen Street
Photography by Document Photography